basato su un libro di qualche anno prima, James Marsh tira fuori un film impressionante, per tema e svolgimento.
ed è il suo primo lungometraggio, tanto di cappello.
il film a me è piaciuto molto, se non si è capito - Ismaele
…Marsh says of the
stories: "The starting point was definitely photographic. Start with an
image, a single image, and then move - a lot of long tracking shots, to keep a
sense of the still image moving." The result is that the film feels like
we are witnessing the events as depicted by animated ghosts. The cinematography
is intoxicating. Slowing the camera down to 30 frames per second, and shooting
in stark monochrome, Marsh (and DOP Eigil Bryld) create a fluid and eerie
effect that captures the essence of the original photographs. It produces the
same kind of dark lyrical fairytale quality as Charles Laughton's Night of The Hunter. Combined
with a score as diverse as Brahms and DJ Shadow, the effect is hypnotic.
Interspersed with these tales of
grim survival are colour footage sections of modern day Black River Falls.
Initially, these appear like a documentary version of the opening shots of
David Lynch's Blue Velvet - strange old faces and waving
children, brass bands shuffling down the middle of a wide empty street. Marsh
then introduces voice-overs that question the serenity of this town that
evolved from a turbulent past. Police reports of severed heads discovered in
bushes and an unidentified local woman stating "Ask almost anyone here,
and they'll tell you they're depressed." play over the images. Marsh has
said of his intentions behind the film:
"The first choice I made (was)
not to try and explain the social-political-cultural history of anything. The
stories are based on a respect for these individual tragedies and disasters. If
the film lacks one thing, it's a governing idea on that level--but it would
have been a travesty." Despite this, Marsh seems to be suggesting that
there is not such a huge difference between the current residents of small-town
America and their brutal, desperate forebears…
The wonderfully stunning Wisconsin Death Trip is unlike any documentary I
have ever seen, but then again, its story is unlike any ever told. The quiet
town of Black River Falls, Wisconsin, seemingly like any other in turn of the
century America, was suddenly and mysteriously overtaken by violence, jealousy,
and hysteria. No explanation is offered, and instead of judging these folks as
products of a less enlightened age, filmmaker James Marsh, at least in my
interpretation, the madness that occurred so long ago. I say this not only
because the film is a stunning collection of crisp cinematography, lush vistas,
and well-crafted re-creations, but also out of respect for the film’s
ambiguity. Had this been an attack on religious fundamentalism, or the exposure
of a hideous disease, we might feel sympathy or even sorrow, but is content to
present these bizarre events as if they are the most common things imaginable.
Using actual newspaper reports from the 1890s, the film’s narration (provided
largely by Ian Holm) is matter-of-fact, detached, and not at all pained by
murder, brutality, and a rash of suicides…
…If sitting in a library
basement reading random newspaper articles on microfilm for two hours is your idea
of a good time, then this movie has your name all over it. However, the
meandering narrative, which grows quickly tedious, will be insufferable after
an hour and a half, if not much sooner.
…“Wisconsin
Death Trip” has few peers in the world of documentary. It is partly fictional
in its depictions, it is drawn without a conclusive bent and it was created to
infuse feeling rather than inform. It has echoes of Peter Weir’s classic
“Picnic at Hanging Rock” and the opening of P.T. Anderson’s “Magnolia” with a
similar but more subdued feeling of John Borowski’s “H. H. Holmes” documentary.
Incredible B&W photography, stellar editing and a sparse but effective
soundtrack leave the viewer with not only memories of what they’ve seen but
emotions and a sense mystical connectedness about the events in the film.
However this film is categorized it is clear that James Marsh and crew have
created a very strong impression. If Matisse was right then "Wisconsin
Death Trip" is an expose' of the soul of Black Water Falls as well as the
emotional tenor of those in the audience. From this reviewer's point of view
that is a pretty impressive feat.
Esticazzi, subito in download! Grazie per la segnalazione, in questi giorni lo vedo senz'altro.
RispondiEliminaun gioiellino, promesso!
RispondiEliminaaspetto il giudizio:)