un film
epico, di minatori e padroni (quando il padrone era padrone...); mi ha
ricordato "I compagni", di Mario Monicelli.
gli attori sono bravissimi, guidati alla
perfezione da John Sayles (che interpreta il predicatore).
peccato che il nome di John Sayles lo conoscano
pochi e ancora meno abbiano visto i suoi film.
si può sempre recuperare, magari iniziando da
questo capolavoro, nessuno se ne pentirà - Ismaele
Matewan (1987)
rievoca un massacro realmente avvenuto durante l'era dei primi scioperi
organizzati. Sayles impiega modi e stili del western. Il film, benche' girato
con mezzi modici, ha il feeling delle grandi epiche di Hollywood. Filmato in
bianco e nero e in un blu grigio, condotto a passo lento, inquadrato in primo
piano, il film ha spesso l'aspetto di un documentario, di un reportage.
L'influenza di Ejzenstein è fortissima. Ma anche quella della Bibbia...
One of the best films of the 1980s, John Sayles's evocative
"Matewan" takes us back to the 1920s, and the primitive, perilous
lives of coal miners in West Virginia. Flavorful, meticulous recreation of time
and place is enhanced by powerful performances, particularly from Cooper and a
majestic James Earl Jones playing a miner called "Few Clothes"
Johnson. With legendary lenser Haskell Wexler providing sumptuous visuals, and
a cathartic climax involving the bloody, historic shootout that put Matewan on
the map, this may well be Sayles's finest hour.
…The cinematography in the movie is
beautiful. The film has a grainy quality which mixes perfectly with the sepia
tones, giving me the same feeling I get when browsing through an old family
album. Lighting scenes of the mines are handled quite well, with workers back
in the darkness and walking into the light only to see how dark their faces
still truly are after a day amidst the coal dust. ..
…The union leader Joe Kenehan, played by Chris Cooper,
says that he didn't go off to the war because all he could see in it was
"workers fighting workers". Even today that's an extremely
controversial idea, and not one that you can try to apply to the so-called
"good wars" without being laughed at, unless you work it into a nice
little film like this.
…The violent intimidation tactics of thugs hired by the
company only firms the workers’ resolve to fight against those who use people
until they wear down, break down, or are as dead as doornails. Sixteen-year-old
Danny (Will Oldham), a lay preacher and ardent union member, has his ideals and
faith tested. His mother (Mary McDonnell) reaches inside herself for courage in
a moment of terrible danger. The town’s sheriff (David Strathairn) stands tall,
and the mayor of the town (Josh Mostel) refuses to sell his people down the
river for money. Virtue roars like a lion in Matewanas ordinary
citizens achieve heroic stature. This is an old-fashioned movie that will make
the hearts of all idealists truly sing.
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