grande interpretazione di Simone Signoret, che si offre, vecchia, alla
storia, nella quale lei e Momo sono l'anima.
da vedere, senza dubbio - Ismaele
QUI il film completo, in francese, con sottotitoli in inglese
Quasi un testamento
spirituale della magnifica Simone Signoret, un tempo ragazza bellissima
("Casco d'oro"), poi donna segnata da una vita difficile,
precocemente invecchiata, e tuttavia sempre attrice maiuscola e personalità
indomita. In questo film c'è tutta la sofferta ebreità di Simone, intrecciata
con gli ideali di apertura e internazionalismo che Simone aveva condiviso con
il marito Yves Montand.
Qualcuno ha accusato questo film di eccessiva 'teatralità', ma l'ambientazione chiusa, per non dire claustrofobica, contribuisce a restituire l'atmosfera opprimente e irrespirabile in cui si consuma questa tragedia dell'emarginazione, sino al finale straziante…
Qualcuno ha accusato questo film di eccessiva 'teatralità', ma l'ambientazione chiusa, per non dire claustrofobica, contribuisce a restituire l'atmosfera opprimente e irrespirabile in cui si consuma questa tragedia dell'emarginazione, sino al finale straziante…
…The film not only shines a light on racial intolerance
in the present day (the most memorable scene is the one in which Momo’s father,
a Muslim, has a cardiac arrest when he learns that his son has been brought up
as a Jew), it also evokes painful memories of the Holocaust and France’s
shameful complicity in the round up of Jews. Another taboo subject the film
broaches, with surprising candour and daring, is that of euthanasia; four
decades on, assisted suicide is one of the most hotly debated issues of our
time, and the notion that everyone has the right to a dignified death is one
that is powerfully expressed in the film. The parallel between the
torture inflicted on Jews by the Nazis in concentration camps and the suffering
experienced by those being kept alive by artificial means in hospitals is crude
to the point of being obscene but it does prompt the spectator to question the
value of prolonging life for the sake of it.
La Vie devant soi touches on so many pertinent social themes and has so much to say to the present generation that it is surprising how little known the film is today. When it was released in 1977, it attracted an audience of two million in France and enjoyed a successful international showing. As well as being nominated for three Césars, it won the Oscar for the Best Foreign Language Film in 1978. It is a film that tackles a whole raft of controversial subjects with sensitivity and intelligence, and it is probably even more relevant today than when it was first seen. Mizrahi made a few notable films after this one, including Chère inconnue (1980) with Signoret, but none of these has that potent blend of compassion, insight and humanity that so powerfully illuminates La Vie devant soi and which makes it truly a film for our time.
La Vie devant soi touches on so many pertinent social themes and has so much to say to the present generation that it is surprising how little known the film is today. When it was released in 1977, it attracted an audience of two million in France and enjoyed a successful international showing. As well as being nominated for three Césars, it won the Oscar for the Best Foreign Language Film in 1978. It is a film that tackles a whole raft of controversial subjects with sensitivity and intelligence, and it is probably even more relevant today than when it was first seen. Mizrahi made a few notable films after this one, including Chère inconnue (1980) with Signoret, but none of these has that potent blend of compassion, insight and humanity that so powerfully illuminates La Vie devant soi and which makes it truly a film for our time.
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