tratto da un gran libro (qui) il film è fatto di
silenzi, rimpianti e rimorsi.
uno sguardo impietoso sul genere umano e un bianco e nero splendido.
chi vuole ridere non ci provi, gli altri non si dimenticheranno presto di
Frank Machin - Ismaele
…The rugby games also have to be as dirty and real. The camera gets down on
the field with the players, catching every blow, all of the blood and mud. Lindsay
Anderson makes it so you can see the bruises forming on the bodies and feel the
crush of every powerhouse hit. Frank is locked in an eternal scrimmage, and
there is no way out.
This makes the title This Sporting Life into the film's greatest irony. Though evoking a feeling of play, its true meaning is that all of existence is a game, one that is ongoing, and that seemingly can't be won. Frank often describes himself as feeling "champion," but that is only when he is out in front of the struggle. A man can keep fighting, but with no prize at the end, what for? You get knocked down, and then you get back up, until the day you decide to stay in the dirt. Judging by the closing shots, one does not imagine Frank Machin happy.
This makes the title This Sporting Life into the film's greatest irony. Though evoking a feeling of play, its true meaning is that all of existence is a game, one that is ongoing, and that seemingly can't be won. Frank often describes himself as feeling "champion," but that is only when he is out in front of the struggle. A man can keep fighting, but with no prize at the end, what for? You get knocked down, and then you get back up, until the day you decide to stay in the dirt. Judging by the closing shots, one does not imagine Frank Machin happy.
Brutish rugby
player excels in the sport but suffers from self-doubt and can't get past his
perplexing obsession with a widowed landlord (Rachel Roberts). Awfully similar
to Williams' A Streetcar Named Desire - Harris is square-jawed Stanley, Roberts
is a combination of Blanche and Stella - and the ending's even a little
similar, with Harris' brutish demeanor finally destroying the woman he loves
(him shouting her name in the last shot is yet another giveaway). The
performances are consistently superb even though the story gives out in the
last act, once it gets through all of its clever flashbacks and returns to the
characters chewing scenery and physically battering each other (also, is the
spider a reference to Bergman's Through a Glass, Darkly?).
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