autore di quel film unico e terribile che è Pasazerka
(La-passeggera), qui Munk racconta due facce della Polonia di fine guerra,
nel primo episodio i nazisti sono alla fine e si cercano armi per la
liberazione definitiva, nel secondo i prigionieri polacchi di un campo di
concentramento vivono nell’attesa di una liberazione che non arriva o di una fuga
che mai si concretizza, o finisce nel dramma.
il primo segmento ha molto di scherzoso e leggero, pur nella tragicità di
quei giorni, qualcuno anche ride, il secondo episodio è davvero tragico, senza
speranza.
da vedere per ricordare e non dimenticare, Munk è un grande regista -
Ismaele
…Munk understands the dark side of human nature
and presents a sly satire on heroism. He debunks the standard image of the hero
as an idealist and self-sacrificing man. Instead he reveals that in the
struggle for freedom it takes all kinds to fight for nationalism and
self-determination. It's the work of a deep thinker sardonically reflecting on
the insanity of war and the human condition.
…The characters here are
so brilliantly defined, so complicated and empathetic, that Ostinato
lugubre's only
real downfall is how little time we get to spend with them. Still, it's great
while it lasts, as Munk expertly juggles the bleak realism of his scenario with
a vein of pitch-black comedy, never better exemplified than in the bitterly
ironic ending, a much gentler and affecting consideration of the
'heroism-is-futile' theme in Scherzo alla polacca. Honestly,
it's very hard to review Eroica without the ability to properly
contextualize its tales, and I'm sure some of Munk's broader political points
would resonate more with a Polish audience. But those like myself, uneducated
in the country's history, will still find a lot to love in this bold,
consistently funny symphony. I just wish it was longer.
…In both segments of Eroica, the Polish attitude
towards the inevitable Russian advance is cool, a bit of irony transposed from
the Poland of 1944 to the Poland of 1957 (the year of the film’s release). The
Red army may have “liberated” the country from the Nazis, but they would
immediately impose their own totalitarian order on the besieged and dispirited
country. The film is a powerful assertion of identity in the face of cruel
happenstance. In a Communist state, controversial or subversive ideas must be masked
when presented as art. Eroica presents a picture of a bifurcated
country, ostensibly cowed and obeisant to the pressures of Soviet domination,
but still seething with recrimination and indignation.
Nessun commento:
Posta un commento