una storia medioevale, con signori padroni della plebe e monaci potentissimi.
Ondřej è un ragazzino che la Storia prende, diventa monaco, ridiventa signore, tornando a casa come un novello Ulisse, sposa la vedova del padre, non è una storia leggera.
è anche la storia di un'amicizia con Armin, ma il voto è più forte.
la colonna sonora è di Zdenek Liska, che ha firmato le musiche di tantissimi film di quegli anni.
cercate "Údolí vcel" e godetene tutti - Ismaele
Unlike many of the
films grouped together under the Czech New Wave umbrella (including the
director's own more celebrated MARKETA
LAZAROVÁ), VALLEY OF THE
BEES is a conventional,
linear narrative; a tale told fairly straight-forwardly. However, it also may
well be one of the very best films of the movement, and amongst the finest
historical dramas ever made...
…This is a complicated
film. Not a happy film at all, and quite graphic in its violence. I enjoyed it
a lot, for its dramatic narrative, but have to confess to being a tad relieved
when it was over.
…It
doesn't have the same fully immersive mental and emotional impact or atmosphere
of his more well known and rightfully heralded masterpiece Marketa Lazarová, but it's equally
well acted, directed, and has a far more accessible story which makes it
perhaps a better starting point for anyone interested in exploring this Czech
master. A director with a vision unlike any of his contemporary peers. His
works are more in line with that of Bergman, Tarkovsky, or Bresson, and were it
not for the severe post Soviet-invasion restrictions, he would likely be just
as revered as they are today.
… If you
were to rank similar films along that light to dark scale, František Vláčil's Údolí včel/The Valley of the Bees would be perfect company for
Bergman's film, and indeed, Ondřej (Petr Čepek), just one of the repressed,
tortured souls that belong to to an order of Teutonic knights would find a
kindred spirit in Max von Sydenow's chess playing knight. Rather than fighting
this darkness, The Valley
of the Bees gives into
and immerses itself in it, producing a film that's brave, thought-provoking and
contentious. Aesthetically, it's breathtaking to look at, and emotionally, it's
hard to endure, which makes for an incredibly potent experience…
… Released just before
the Soviet invasion of Czechoslovakia in 1968, the film was read as an attack
on Communist values and banned by the authorities, thinking that Ondřej's
struggle after being forced into a hierarchical and puritanical order against
his will was a subversive one. In the wake of those turbulent years, this film
as lost none of its potency, and of course, if you look toward the film with a
political agenda you'll undoubtedly find those themes. Just like the comparisons
to the classical art house cinema of Eisenstein, Bergman, Kurosawa and Bresson
are easy to draw and even easier to see, to burden Bees with such
weighty labels is and political readings, in all honesty, rather unfair, since
obviously more than capable of standing up and speaking for itself. This
film is by no means your classic Middle Ages fable, and is most definitely a
nightmare rather than fairytale, since the dragons Ondřej and those around him
must face are far more fearsome than the one St. George ever had to slay.
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