Paulo sostiene uno che sembra animato dalle migliori intenzioni del mondo, ma quando arriva al potere non può cambiare niente, anche se volesse.
il Potere è irraggiungibile, i presidenti sono pedine di un gioco più grande. pochi decidono dietro le quinte.
il tormento di Paulo è straziante, e il film è di un'attualità sorprendente (si pensi a Obama).
i politici rivoluzionari sono quelli morti.
un film da riscoprire, senza se e senza ma - Ismaele
The title of late
Brazilian director Glauber Rocha's third film is pretty much self-explanatory,
representative of its significance, position and context in late-1960s
Brazilian culture and society: a trance-like trip into the heart of a
conflicted country. A heady, surreal chamber-piece deathbed fantasy about the
eternal conflict between idealism and pragmatism, shaped as a thinly-veiled
allegory of Brazil's political tumults, Terra
em Transe is a rushing torrent of images and thoughts aimed squarely
at its time and place, but whose lucid thoughts about politics and society
remain valid and contemporary…
…The editing style is definitely from
the Soviet montage school of cutting. Jarring juxtapositions and temporal
discontinuity abound. While the narrative could hardly be called focused, the
images are potent, from the orgiastic celebrations of the upper class, to the
characters’ direct confrontation to the camera. The penultimate image is also
amazing, as Paulo takes on the sky with a gun. The sound is quite remarkable –
it’s an almost subjective mishmash of music, poetry and charged dialogue. This
is the first time that many of these Brazilian films have been screened in New
Zealand, and after watching Earth
Entranced it’s a rare
privilege (if you can call it that) to see films burn with such intensity and
anger.
…Whilst
‘Entranced Earth’ can be a difficult cinematic experience at times, the
ambition involved and the passion Rocha shows regarding the current state of
his homeland makes it a fascinating, often dazzling landmark piece of cinema.
A difficult film to pick the bones out of, Entranced Earth is
deliberately obtuse, abstruse, and defiant in its form. Highly charged with
emotion and theatrical in its narrative, the technical choices nevertheless
cling to a mockumentary sort of realism. What is being mocked is the political
hopelessness of a fictional land, Eldorado, presumably a mirror for Rocha's
native Brazil.
Brazil went through a military coup in 1964 when a left-wing leader was replaced with a right-wing one and this film is a fictionalized indictment of prevailing politics. Ultimately the indictment is not of right or left (representatives of both orientations are shown to be corrupt) but of human nature itself. The poet/protagonist Paulo played with conviction by Jardel Filho is not spared either. Curious edits abound and frankly appear at times to be a little forced and affected. In fact affectation is the tone the entire film operates in, made particularly poignant when showcasing the disaffected rural poor. A strange idiosyncratic film that has deliberate difficulty in existing as a unified whole.
da quiBrazil went through a military coup in 1964 when a left-wing leader was replaced with a right-wing one and this film is a fictionalized indictment of prevailing politics. Ultimately the indictment is not of right or left (representatives of both orientations are shown to be corrupt) but of human nature itself. The poet/protagonist Paulo played with conviction by Jardel Filho is not spared either. Curious edits abound and frankly appear at times to be a little forced and affected. In fact affectation is the tone the entire film operates in, made particularly poignant when showcasing the disaffected rural poor. A strange idiosyncratic film that has deliberate difficulty in existing as a unified whole.
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