un
film amaro e triste, dove due padri, gli straordinari Anthony Hopkins e Jim Broadbent, sono separati e con un figlio ciascuno e
hanno problemi con la ex moglie (e madre dei bambini).
Anthony Hopkins è uno che ha i soldi e soffre la
mancanza del figlio, ma sopratutto, forse, che non può vincere. Jim Broadbent si fa intrappolare in una causa contro la
moglie (consigliato da Anthony Hopkins, che gli presta i soldi per l’avvocato).
dice
Roger Ebert che questo è un film sulla scarsità di amore nel mondo.
bravi
tutti, ma se anche ci fossero solo Anthony Hopkins e Jim Broadbent che chiacchierano al pub con una birra, i
soldi del biglietto, o, meglio, del dvd, sarebbero ben spesi per questo piccolo
grande film, sicuro - Ismaele
In The
Good Father, Anthony
Hopkins stars as Bill Hooper - a bitter, motorcycle-riding single father who
seemingly holds nothing but contempt for his ex-wife. Bill has been separated
from Emmy (Harriet Walter) for quite some time, and is relegated to occasional
visits with their young son. After meeting Roger (Jim Broadbent), a
schoolteacher who's in the process of splitting from his wife, Bill decides to
direct all of his anger and resentment into securing Roger sole custody of his
son (his soon-to-be-ex has declared herself a lesbian and is planning to move
the boy to Australia). Based on the novel by Peter Prince, The Good Father casts Hopkins as a surprisingly
unlikable figure - Bill mistreats most everyone around him, including his
little boy - and yet, thanks primarily to Hopkins' charismatic, engaging
performance, the character eventually becomes someone that we're rooting for.
It certainly doesn't help that many of the supporting characters have been
painted with extremely broad strokes (with a few exceptions, including
Broadbent's Roger), something that's particularly true of a man-hating lawyer
that actually wears a t-shirt that reads, "all men are rapists."…
…"The Good Father" is filled with great supporting
performances to circle around Hopkins' energy. There is Jim Broadbent as the easygoing man who is pushed into the
courts by Hooper. Simon Callow (the romantic vicar in "A
Room with a View") is the affected, cruel, priggish lawyer. Harriet Walter is Hopkins' wife, a woman who still wonders why
they couldn't somehow have found a solution to their problems. And in a subtle
and difficult performance, Joanne Whalley is the liberated young woman who briefly becomes
Hopkins' mistress and is the catalyst for his breakthrough to more
self-awareness.
There have been a
lot of movies about the changing lives and roles of women in the last 20 years.
"The Good Father" is a very rare film, a film that asks hard and
fundamental questions about the role of men: such as, is it ever too late for a
man to learn that he can never love himself until he first learns to love somebody
else? The film was directed byMike Newell, whose previous film, "Dance With A Stranger," asked a similar question
about women. Neither film is really about men's lib or women's lib, or even
sexual politics, for that matter.
They are about the
shortage of love in the world.
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